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What to Infer from Me Too Movement?

Me Too movement has been embraced and rejected equally by the Indian mass. On one hand survivors have found their voice and salvation; but on the other hand the intricate pattern of oppression and power infested in our society doesn’t allow the movement’s evolution to the full form. Agreed it’s not a movement without its flaws but what it is teaching is noteworthy. Only if we can absorb them the movement can have its right impact on us. So all who feel its giving rise to an unnecessary line of fire; sit back and reflect on what we need to infer from this movement.

First and foremost, listen with open ears and open mind. All stories may not be authentic, concrete proofs can’t be produced in majority of the cases. But the only thing we can do is listening without preconceived notions. Hear the undertones of suffering, torture, the strength and weakness that revolve around each confession. Try to be empathetic to the fact that in most of the cases reported, survivors are displaying the scars on their souls more than their bodies!

Build up solidarity against the culture of oppression in every sector of life – office, family and social circle. There are millions who will identify with each story revealed; someone would have encountered something alike or barely escaped a similar situation or is at the least not ignorant of such a thing happening around them. Create a meaningful bond with colleagues, friends, and family, so that you can be each other’s support system. It will ensure a repeat of unpleasant situations never happening again. There’ll be likeminded people to stand up and fight for your right or at the minimum is on your side without judgements. It can take us a long way.

Say goodbye to sexism. Start by not laughing to sexist jokes when your friend or colleague or relative cracks one. “Make the person who crack sexist jokes feel uncomfortable” Parvathy Thiruvoth, actress said. Let him or her realize there’s something wrong in what they said, don’t normalize it for the sake of not destroying the moment. Don’t trivialise the prevalent sexism in our daily life thinking raising an objection will result in you being ostracised or get categorised as over reacting. Do a quick recap of your words, actions or thoughts in past to check if it had sexist colouring and make sure you make amends. If it all still feels like making a hill out of a mole, reverse the experience and think how you’ll feel in an identical situation. That’ll do the trick.

Relearn to acknowledge and respect an individual. Take a quick lesson on how to be attentive to a person’s space, feelings and dignity. Then there won’t be any lines crossed or unintentional words or actions made which you won’t be proud of later.

Don’t make flippant jokes on Me Too. Understand, what gets weighed down under jokes is, the simple fact that all that is asked of you is to not be a sexual predator, to not hurt someone intentionally or unintentionally, to not make someone uncomfortable, not violate someone’s personal space, not practise barter system, ask for their body in return of work opportunities.

 Relearn the concept of consent; make sure the next generation is raised with adequate education on the concept of consent. . Learn to distinguish between badly conceived ideas and reality – like stalking, a woman’s ‘no’ means yes on repeated perusal etc. Realize that these ideas that are often encouraged and glorified in films, books and other mediums are wrong.

Don’t ignore or maintain silence; that’s the biggest disservice one can do to society when such a revolutionary movement is taking shape. Never keep quiet, just because it’s not affecting your life. If a major chunk of your fellow beings are dealing with a suffocating social scenario it immediately becomes your job to recreate a conducive environment for them; to ensure that they are not alone. Don’t silence them; a questioning glare at one survivor has the power to shut up thousand others. Realize that this epidemic of sexual harassment is not limited to the survivors who spoke; it extends to our family, friends, colleagues, to ourselves since we inhabit the same atmosphere. So when you lend a hand of support, it is to help your own tomorrow.

Remember most of the masks that fell so far were the crème de la crème of sophisticated woke society. So understand that it’s sometimes even more complex for a survivor to raise their voice because forget getting the accused to hold accountability, they’ll first have to prove their own credibility. Also don’t be blind to the fact that most of the voices raised are of women. It just goes on to imply, how much harder it is for a woman in our society and how difficult it is for a man to voice a similar experience. So be gender neutral when you face this revolution. Don’t make it a man v/s woman situation, it never was. If statistics are to be believed for a smaller ratio of false allegations don’t run over the larger ratio of true sufferings. There’s a healing power in your support, don’t deny the survivors that beacon of hope.

The biggest take away from Me Too movement is how a fear is instilled in the minds of wrong doers. It is also great that everyone is pausing for a moment to cross check if they ever blurred a boundary by a message or stare or joke; it’s a welcome change. It’s a positive shift in culture that will impact our lives in the long run. Stand by the survivors and set a benchmark for a decent livelihood in future for all and sundry.

It is all about doing the right and not doing the wrong, as simple as that.

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Performance Galore 2018

2018 saw some excellent performances from actors across India. Actors and actresses took upon challenging roles and handled the weight of it with brilliance. It resulted in some authentic performances on screen. Be it exploring the dark or crossing the boundaries of gender, human race or impersonating faces familiar in our daily life they’ve done it all last year and with exceedingly great results. So let’s take a stroll through some of the amazing performances that illuminated big screen last year.

  • JAYASURYA

Film: Njan Marykutty

Role: Transsexual

Language: Malayalam

Jayasurya transforms himself physically and emotionally to portray a transsexual with perfection. The way he articulates the nuances of a transsexual’s life is remarkable. He transforms his body language, translates the emotional chaos echoing within Marykutty effortlessly. He makes you feel her dreams, struggles and her heart. It’s an incredible performance.

  • KEERTHY SURESH

Film: Mahanati

Role: Yesteryear Actress (biopic)

Language: Telugu

Keerthy Suresh plays yesteryear actress Savitri with panache in Mahanati. Savitri’s legendary persona comes alive with Ms. Suresh’s impeccable performance. She owns Savitri’s exhilarating jovial personality and her tragic phase with equal grit and verve.  It’s her career best performance.

  • ANURAG  KASHYAP

Film: Imaikkaa Nodigal

Role: Villain

Language: Tamil

His smile alone gives chills down the spine. Mr. Kashyap inhabits the screen as menacing Martin. His character employs the usual creepy villain archetype but his performance goes beyond the basic. His screen presence, drawling demeanour manifolds the cruelty his character embodies. He is despicably evil and undoubtedly makes a smashing Kollywood debut.

  • RANI  MUKHERJI

Film: Hichki

Role: Tourette’s syndrome affected Teacher

Language: Hindi

Rani Mukherji chews into a role that gives her enough to relish. She portrays the Tourette’s syndrome with consistency. She hits the right chord with the hiccups literally and figuratively. She handles scenes that could become a melodrama fest with maturity. It is one of her clean performance till date.

  • RANVEER SINGH

Film: Padmaavat

Role: Villain/ Anti-Hero

Language: Hindi

Ranveer Singh plays to the gallery in a role that suggests villainy but is moulded as an anti-hero. The character arc, in my opinion, goes heedless but is successfully elevated by a master class performance from Mr. Singh. He is deliciously evil, replenishing the dark with enthusiasm. Despite the grey shades, he makes us cheer for his performance.

  • ANUSHKA SHARMA

Film: Pari

Role: Demon

Language: Hindi

Anushka Sharma does complete justice to Rukhsana. An abuse victim or a demon or a lover – every facet of Rukhsana is safe in Mrs. Sharma’s hands. She breathes innocence and vengeance into Rukhsana convincingly. She tries something novel and works it fine. It’s a flawless performance.

  • GAJRAJ  RAO

Film: Badhaai Ho

Role: Middle Aged Father

Language: Hindi

Gajraj Rao pours life into Jeetender Kaushik, a middle aged man with his quirks, a strict father, an obedient son and a loving husband. He is a reflection of the common man we see in our daily lives. When he tries to overpower his subordinate or throws in English to impress his son’s lover or when he gloats in his manhood he is as real as it gets. His convincing act adds a realistic flavour to Mr. Kaushik.

  • DULQUER SALMAN

Film: Mahanati

Role: Yesteryear Actor

Language: Telugu

Dulquer Salman unleashes himself while portraying Gemini Ganesan on screen. His filmography shines when he engages as a charismatic lover as well as an egoistic man trapped in his frailties in Mahanati. The way he portrays jealousy, frustration, selfishness, and uncaring attitude on one side; and the heartfelt Romeo whose one loving glance can get hearts flutter is a job done well.   He nails the mannerisms of the legendary actor without reducing it to a caricature. He feels original on-screen.

  • TAAPSEE PANNU

Film: Mulk

Role: Advocate

Language: Hindi

Taapsee as Aarti Malhotra was phenomenal; beautifully restrained yet emotionally fulfilling. She balances vulnerability and strength like a pro. Fighting against prejudices within the courtroom she is authoritative, not overpowering. She displays her emotions freely but without cascading to melodrama. She holds her own against talents like Ashutosh Rana, Rishi Kapoor, Rajat Kapoor. It’s definitely one of the standout performances last year.

  • DEEPIKA PADUKONE

Film: Padmaavat

Role: Queen

Language: Hindi

If one can look beyond the underwritten role, Deepika Padukone delivers a heroic performance with Padmaavat. It’s restrained but powerful, one which would’ve gone unnoticed if not for her alluring screen presence and eloquent eyes. She owns the 15 minutes long Jauhar sequence with silence, grit and effortlessness.

  • HAREESH KANARAN

Film: Oru Pazhaya Bomb Kadha

Role: Comedian

Language: Malayalam

Hareesh Kanaran is a renowned comedian of Malayalam industry who adds his own spice to his comic timing and dialogue delivery. He kicks it hard in the film Oru Pazhaya Bomb Kadha. Taking center stage equally with the lead actor, he lavishly entertains us.

  • KATRINA KAIF

Film: Zero

Role: Alcoholic actress

Language: Hindi

Everyone who saw Zero, audience and critics alike would agree Babita Kumari deserved her own film. An alcoholic actress who stumbles with her life is not a new premise but the spunk with which Ms.Kaif has presented Babita is efficient. From her entry to exit, she dominates the screen. Babita’s sauciness and vulnerability is authenticated with Ms. Kaif’s act.

It’s amazing to have witnessed the A game from most of the actors last year. I must admit, I enjoyed the work of many actors whom I’ve never rated highly before. Everyone is improving their craft, echoing their talent on the big screen. Audience has upped the content game and actors who took risks, tried out of the box got their due. Waiting to see what 2019 has in store for us.

I’ve made this list from the films I watched and the performances that impacted me as a cine goer. You are free to leave your additions in the comment section. I’d be glad to check them out as well.

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My Movie Library: 2018 Entries

Welcome to my movie library folks. I have films, which affected me in some manner, listed down in my library collection every year. Check out the latest additions from 2018. They may not be celebrated choices; sometimes might not reflect in the best list of many. But these are films that I enjoyed giving my time to, either by spending for the ticket or by streaming online. Films that made me feel alive to the world they’re presenting or made me feel connected to their characters. I’ve watched a mixed bunch of films last year from varied languages. I’m yet to watch some. But from the visited films, here’s my list of 2018 films that deserves a watch.

  • Njan Marykutty

Language: Malayalam

Genre: Drama

 A film had never felt this real in a long time for me. A movie that narrates the life of a transsexual has as its high points the honesty, clarity and sensitivity they maintain all throughout the film with their subject. The fact that they visualize the film without the trappings of an art or commercial film, the labels of melodrama or over-hype is stupendous. And probably that’s what connects me to the film.

  • Ralph Breaks the Internet

Language: English

Genre: Animation

Though it’s visual flies from one to the other and can have separate films out of each phase of it; they somehow work it within the framework of Ralph and Venellope’s world. The tribute the film gives to Disney Princesses’ in a scene has a lasting impact. The entertainment quotient that a fun animation film guarantees balanced with an important social message is the best deal I had last year.

  • Badhaai Ho

Language: Hindi

Genre: Comedy-Drama

Badhaai Ho is a clean hit of last year; which won audience, critics and box office alike. The unique story-line peppered with humor and genuineness makes for a good repeat value film. Towered by top notch performances from Gajraj Rao, Neena Gupta, Surekha Sikri etc the film snowballs into a terrific family entertainer with an impacting theme at its core.

  • Mulk

Language: Hindi

Genre: Drama

It is a hard hitting narrative that addresses Islamophobia. In the polarized society we live today, this film is the need of the hour. The court room drama is engaging, enthralling and educating. It’s a daring film which has a pitch and tone that’s fearless in asking questions and giving answers.

  • Sarkar

Language: Tamil

Genre: Action-Drama-Satire

 A political satire of recent times that offers adrenaline rush to the hilt. The film takes on the political scene of Tamil Nadu with a gusto and temperament that doesn’t pay heed to the hate waves. Film is daring in its take and creative liberty used for mass appeal enables a solid crust for a winning entertainer.

  • Oru Pazhaya Bomb Kadha

Language: Malayalam

Genre: Comedy

A thoroughly engaging ride with a cast that is high on comic timing. I’ve always enjoyed the work of comedian Hareesh Kanaran, but this film is an absolute riot because of him taking an equal center stage with the lead actor. The cast and situational humor employed is brilliant and it effectively elevates the film.

  • Kolamavu Kokila

Language: Tamil

Genre: Black Comedy

It’s not a genre cherry picked by majority. But I enjoyed the humor quotient film offered. A deftly woven script is the strength of the film and how humor is worked into it despite the dark coloring is a masterstroke. I recommend without a doubt.

  • Awe

Language: Telugu

Genre: Science Fiction

 This is totally not my kind of genre yet it works for me. It’s an out of the box attempt. Twisting narratives aligned with interesting characters adds spice to the film. The pace is tight, execution well defined, performances gripping – and all this equates to an interesting fresh film.

  •  Karwaan

Language: Hindi

Genre: Road film

 Most often a road film offers a journey into life and Karwaan also offers the same, triple times over. Be it Irfaan’s Khan’s hilarious Shaukat or Mithila Palkar’s free spirited Tanya or a brooding Avinash from Dulquer Salman, the film ensures a promising ride with them. It’s a feel good, easy breezy movie with its moments; a onetime watch.

  • Kaalakaandi

Language: Hindi

Genre: Black Comedy

This is not a film for everyone. It’s a mad chase of a man’s upturned life in one single night. It offers a half baked plot-line which guarantees shortcomings but somewhere I connected to the protagonist and decidedly went with the flow. The film could have been better, but it had some moments for me. Not recommending to all.

How did you find my list? If you feel encouraged to watch any one of them after reading this, do share your reviews with me. Let’s do this again next year.

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A Prism of Interesting Women Reflections on Celluloid in 2018

This year I came across some interesting women characters in cinema. And when I say interesting, it means out of the box or unconventional representation of women. From a transsexual to a ghost, the clichéd women roles are depicted with a refreshing honesty and dignity. Taboo topics are discussed with frankness and maturity which helps an elevated perception on its harsh reality.

Let’s start with Jayasurya’s role in Malayalam film Njan Marykutty which is centered on the trials and tribulations a Transsexual undergoes. The film offers an insight into the life of a member of LGBTQ community. The internal conflicts of facing the reality, external trauma faced at the hands of society is depicted with stark rectitude. The film lends the community a respectful term Shero; also educate audience about the difference between a transsexual and transgender. In our society we’re yet to imbibe empathy and understanding towards this community and films has always nurtured the comic angle when it comes to their representation on big screen. So a film like Njan MaryKutty mounted by one of the great talents of the industry and supported by male directors and producers is a welcome change. If this film doesn’t impact you to change your prejudiced gaze at the community, I don’t know what will.

Neena Gupta’s character Priyamvada Kaushik in Hindi film Badhaai Ho, is a middle aged woman, who gets pregnant much to the embarrassment of her adult son. When he reveals his embarrassment to his girlfriend, she point blank refutes his attitude and coolly stresses the fact that his mother is a woman with desires and there’s nothing wrong about it. In another scene, the elderly woman of the house snaps at the noisy relatives and asserts having sex with your spouse at any age is never a crime. Though these thoughts must come naturally and be accepted gracefully it is never so and the film portrays that reality well. The couple themselves are ashamed in the beginning when there’s nothing to be ashamed of. Their educated son who should have a liberal perspective is stuck up for a long time until the mirror is shown to him. Society finds it as an opportunity to ridicule or have fun at their expense. The gradual evolution of the family and society and their acceptance of it as a ‘normal’ situation are captured well in the context of the film. The movie finding its way into the 100 crores club implies the impact it made.

Another successful Hindi film this year, Stree, focus on exploring horror-comedy genre with sincerity and in the process offers us a refreshing take on the idea of evil spirit. We are used to the references of witch when a ghost character features on screen. But this film teaches you to respect a ghost, Stree. Yes you heard it right; it’s a fun take but the film shatters the clichés that surround ghost characters. In an ironic way the film educates that a spirit/ soul which remains after the death of an individual needn’t be feared. This is probably the first horror flick where the ghost element is worked out with dignity and not comic or fear angle.

Nitya Menon’s character Krishnaveni aka Krish in the telugu film Awe is a lesbian. The swag and ease with which her character, her sexual orientation and her awareness about her sexuality is presented is inspiring. She’s fully aware of the judgmental gaze that extends towards her and her relationship with her lover but is unfazed by it. The way her character is given a chance to explain the medical side of their orientation to her girlfriend’s parents and how they grasp it despite their conservative background is a must watch scene. The embarrassment, difficulty to accept the truth by the parents is contrasted by the clarity and sureness Krishna and Radha (Eesha Rebba) have about their selves and their relationship.  Menon’s character squashes stereotypes and gives us an authentic representation of a lesbian.  

Karan Johar’s short film from the anthology Lust Stories portrays a scene where a sexually unsatisfied wife Megha, played by Kiara Advani, tries to find self pleasure to quench her desires. Megha gets herself a vibrator for sexual pleasure but accidentally attains her orgasm in front of her in laws and husband. While the mother in law is quick to judge her character and even label her womb as unfit to carry their legacy, Megha remains unapologetic about having desires. In the last scene, her husband expresses that he is not going to divorce her because she did a mistake; but Megha is firm when she corrects him and says she never did a ‘mistake’ and her desires in bedroom are equally important. Megha’s asserting stance about her sexual needs and her husband’s acceptance of her desires is a welcome change to witness onscreen.

Parvathy Thiruvothu’s character Sophie in Malayalam movie Koode is a divorced woman who encounters sexual exploitation within her own family. Though the act sums up in one scene and more on Sophie’s mind state is not explored in the film, the shock it leaves in you at the abruptness of the scene and the silent vulnerability of Sophie is impactful. When you leave the theater that one scene haunts you.

I’m so glad to have come across these characters. Marykutty who continuously asserts her identity, Megha who embraces her sexual needs, Krishnaveni who is proud of her sexuality, Sophie, Stree, Priyamvada and her family who make us sit up and take notice of them. They feature from the limited number of films I’ve seen this year. Hoping there are more and there are more to come.

Before the end of 2018, I came across two trailers, Nathicharami (Kannada) – which deals with the desires of a widow and the concept of consent and Ek Ladki Ko Dekha Toh Aisa Laga (Hindi) – which tells the story of a girl from LGBTQ community. This alone proves that Indian cinema is heading in a new direction with respect to how they portray woman, their sensibilities and feelings. Hopefully coming years will provide us with countless number of refreshing and authentic women reflections.